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Title: Gus: The Theatre Cat
Artist: Andrew Lloyd Webber


/"Gus The Theatre Cat" appears next. He¡¯s an aged stage actor
/±ØÀå °í¾çÀÌ °Å½º°¡ ´ÙÀ½¼ø¼­·Î µîÀåÇÑ´Ù. ±×´Â ÁßdzÀ¸·Î °íÅë¹Þ°í ÀÖ´Â
suffering from palsy, who worked with the greatest actors of his day.
³ªÀÌ ¸ÔÀº ¹«´ë ¹è¿ì´Ù. ±×´Â ÇÑâ ¶§ ÃÖ°íÀÇ ¹è¿ì¿Í ÇÔ²² ÀÏÇß´Ù.
Gus tells of his greatest theatrical triumphs, and yearns to do it again./
°Å½º´Â ¿¬±ØÀû ¼º°øÀ» °ÅµÐ ÃÖ°íÀÇ ÀÛǰ¿¡ ´ëÇØ ¾ê±âÇÏ¸ç ´Ù½Ã ÇØºÃÀ¸¸é ÇÏ°í °¥¸ÁÇÑ´Ù./
SOLO:
Gus is the cat at the theatre door        °Å½º´Â ±ØÀå ¾È³» °í¾çÀÌ
His name, as I ought to have told you before    ±×ÀÇ À̸§Àº, ³»°¡ ¹Ì¸® ¸»ÇØ¾ß Çß°ÚÁö¸¸
Is really Asparagus, but that¡¯s such a fuss to pronounce
»ç½Ç ¾Æ½ºÆÄ¶ó°Å½º, ÇÏÁö¸¸ ±×°Ç ¹ßÀ½Çϱ⠳ʹ« ¾î·Á¿ö¼­
That we usually call him just Gus
±×³É ¿ì¸° º¸Åë ±×¸¦ °Å½º ¶ó°í ºÎ¸£Áö
His coat¡¯s very shabby, he¡¯s thin as a rake
±×ÀÇ ¿ÊÀº ¸Å¿ì ³°¾Ò°í ±×´Â ºÎÁö²¤ÀÌó·³ ¸»¶úÁö
And he suffers from palsy that makes his paw shake   Áßdz ¶§¹®¿¡ ¹ßÀ» ¶³±ä ÇØµµ
Yet he was in his youth quite the smartest of cats  Àþ¾úÀ» ¶© °¡Àå ¿µ¸®ÇÑ °í¾çÀÌ¿´´Ù³×
But no longer a terror to mice or to rats
ÇÏÁö¸¸ ±×´Â ÀÌÁ¦ ´õ ÀÌ»ó Áãµé¿¡°Ô °øÆ÷ÀÇ ´ë»óÀÌ ¾Æ´Ï¾ß
For he isn¡¯t the cat that he was in his prime      ÇÑâ ¶§ÀÇ ±×°¡ ¾Æ´Ï´Ï±î
Though his name was quite famous, he says, in his time
Àþ¾úÀ» ¶§´Â ²Ï À¯¸íÇß´Ù°í ¸»Çϱâ´Â ÇØµµ
And whenever he joins his friends at their club
Àþ¾úÀ» ¶§ Ä£±¸µé°ú Ŭ·´¿¡¼­ ¾î¿ï¸®´ø ¾ê±æ Çϱä ÇØµµ
(Which takes place at the back of the neighboring pub)
(±Ùó ¼úÁý µÞÀÚ¸®¿¡ ÀÚ¸®¸¦ Àâ°í)
He loves to regale them, if someone else pays
±×´Â Ä£±¸µéÀ» ´ëÁ¢Çϱæ ÁÁ¾ÆÇÏÁö ´©±º°¡ ´Ù¸¥ »ç¶÷ÀÌ ¼ú°ªÀ» ÁöºÒÇϱ⸸ ÇÑ´Ù¸é
With anecdotes drawn from his palmiest days
Àü¼º±â ½ÃÀýÀÇ ÀÏÈ­¿Í ÇÔ²² ¸»¾ß
For he once was a star of the highest degree
±×¶§´Â ÃÖ°í ¼öÁØÀÇ ½ºÅ¸¿´´Ù°í
He has acted with Irving, he¡¯s acted with Tree
¾îºù°ú Æ®¸®¿Í ÇÔ²² °ø¿¬Çß´Ù°í
And he likes to relate his success on the halls
¶Ç ±×´Â ¹«´ë¿¡¼­ÀÇ ¼º°ø´ãÀ» µé·ÁÁÖ±æ ÁÁ¾ÆÇÏÁö
Where the gallery once gave him seven cat calls
°ü°´µéÀÌ ¾ðÁ¨°¡´Â Àϰö ¹øÀ̳ª °í¾çÀÌ Ä¿Æ°ÄÝÀ» Çß¾ú´Ù³ª
But his greatest creation as he loves to tell
ÇÏÁö¸¸ ±×°¡ Áñ°Ü ¾ê±âÇÏ´Â °¡Àå À§´ëÇÑ ÀÛǰÀº
Was Firefrorefiddle, the fiend of the fell
Ȳ¾ßÀÇ ¸¶±Í, ÆÄÀ̾îÇÁ·Î¾îÇǵé À̶ó³×
GUS:
I have played in my time every possible part      Àþ¾úÀ» ¶© ¾È ÇØ º» ¿ªÀÌ ¾øÁö
And I used to know seventy speeches by heart    70¿© °³ÀÇ ¹®ÀåÀ» ÁÙÁÙ ¿Ü°ï Çß´Ù³×
I¡¯d extemporize backchat, I knew how to gag
Áï¼®¿¡¼­ ¸»À» ²Ù¸ç ´ë²ÙÇϱ⵵ ÇÏ°í °³±×°¡ ¹ºÁöµµ ¾Ë°í ÀÖ¾úÁö
And I knew how to let the cat out of the bag
¹«½ÉÄÚ ºñ¹ÐÀ» Åоî³õ°Ô ÇÏ´Â ¹ýµµ ¾Ë°í ÀÖ¾úÁö
I knew how to act with my back and my tail
³» µî°ú ²¿¸® ¿¬±â¸¦ ¾î¶»°Ô ÇØ¾ßÇÏ´ÂÁöµµ ¾Ë¾Ò°í ¸»¾ß
With an hour of rehearsal, I never could fail
Çѽ𣸸 ¸®Çã¼³À» ÇÏ¸é ½ÇÆÐÇÏ´Â ¹ýÀÌ ¾ø¾úÁö
I¡¯d a voice that would soften the hardest of hearts
³ª´Â °­ÇÑ ½ÉÀåµµ ³ìÀÏ ¸¸Å­ ºÎµå·¯¿î ¸ñ¼Ò¸± °¡Á³¾úÁö
Whether I took the lead, or in character parts       ÁÖ¿ªÀ» ¸ºµç, ´Ü¿ªÀ» ¸ºµç
I have sat by the bedside of poor little Nell         ºÒ½ÖÇÑ ³ÚÀÇ Ä§´ë ³¡¿¡ ¾É¾Æ ÀÖ´Ù°¡
When the curfew was rung then I swung on the bell
Àú³áÁ¾ÀÌ ¿ï¸®¸é Á¾¿¡ ¸Å´Þ·Á Èçµé°Å·È¾î
In the pantomime season, I never fell flat
¹«¾ð±Ø½ÃÁð¿¡´Â Àý´ë ºÒ°æ±â¶õ ¾ø¾úÁö
And I once understudied Dick Whittington¡¯s cat
µñ À§ÆÃÅæÀÇ °í¾çÀÌ ´ë¿ªÀ» ÇÑ Àûµµ ÀÖ¾ú´Ù³×
But my grandest creation, as history will tell
ÇÏÁö¸¸ ¿ª»ç°¡ ¸»ÇØÁÖµíÀÌ °¡Àå À§´ëÇÑ ÀÛǰÀº
was Firefrorefiddle, the fiend of the fell
Ȳ¾ßÀÇ ¸¶±Í, ÆÄÀ̾îÇÁ·ÎÇǵéÀ̶ó³×
SOLO:
Then, if someone will give him a toothful of gin
´©±º°¡ ±×¿¡°Ô ÇÑÀÜÀÇ ¼úÀ» °Ç³×ÁÖ¸é
He will tell how he once played a part in East Lynne
±×´Â À̽ºÆ® ¸°¿¡¼­ ¾î¶»°Ô ¿¬±âÇß´ÂÁö¸¦ À̾߱â ÇҰžß
At a Shakespeare performance he once walked on pat
¼¼ÀͽºÇÇ¾î ¿¬±ØÁ¦¿¡¼­ ±×´Â ²À ¸Â´Â ´Ü¿ªÀ» ¸ÃÀº Àûµµ ÀÖÁö
When some actor suggested the need for a cat
¾î¶² ¹è¿ìµéÀÌ °í¾çÀÌ ¿ªÀÌ ÇÊ¿äÇÏ´Ù°í Á¦¾ÈÇØ¼­ ¸»¾ß
GUS:
And I say now these kittens, they do not get trained
¿äÁòÀÇ ¾î¸° °í¾çÀ̵éÀº, ÈÆ·ÃÀ» ¹ÞÁö ¾ÊÁö
As we did in the days when Victoria reigned
ºòÅ丮¾Æ ½Ã´ëÀÇ ¿ì¸®°¡ ¹Þ¾Ò´ø °Í¸¸Å­
They never get drilled in a regular troupe
±×µéÀº Á¤±Ô °î¿¹´Ü¿¡ µé¾î°¡ ÈÆ·Ãµµ ¹ÞÁö ¾ÊÁö
And they think they are smart just to jump through a hoop
±×¸®°ï ¶Ù¾î¿Ã¶ó °í¸®¸¦ Åë°úÇÏ´Â °ÍÂëÀÌ¾ß Àß ÇÒ ¼ö ÀÖ´Ù°í »ý°¢ÇÏÁö
SOLO:
And he says as he scratches himself with his claws
¹ßÅéÀ¸·Î ±ÜÀû°Å¸®¸ç ±×´Â ÀÌ·¸°Ô ¸»ÇÑ´Ù³×
GUS:
Well the theatre is certainly not what is was       ±ØÀåÀÌ ¿¹Àü °°Áö ¾Ê¾Æ
These modern productions are all very well        Çö´ëÀûÀÎ ÀÛǰµéÀº ¸Å¿ì ÁÁÁö¸¸
But there¡¯s nothing to equal from what I hear tell
ÇÏÁö¸¸ Àü¿¡ ³»°¡ Çß´ø ÀÛǰ°ú ºñ±³ÇÒ ¼ö ÀÖ´Â °Ç Çϳªµµ ¾ø¾î
That moment of mystery when I made history
³»°¡ ¿ª»ç¸¦ âÁ¶Çß´ø ½Åºñ·Î¿ü´ø ±× ¼ø°£
As Firefrorefiddle, the fiend of the fell
Ȳ¾ßÀÇ ¸¶±Í, ÆÄÀ̾îÇÁ·ÎÇÇµé °°Àº °Í ¸»¾ß
I once crossed the stage on a telegraph wire
³ª´Â Àü¿¡, Àü¼±À» Ÿ°í ¹«´ë¸¦ °¡·Î Áú·¯
To rescue a child when a house was on fire
ºÒÀÌ ³­ ÁýÀÇ ¾ÆÀ̸¦ ±¸ÇÏ·¯ µé¾î°£ Àûµµ ÀÖÁö
And I think that I still can much better than most
³­ ÀÌ·¸°Ô »ý°¢ÇØ ³­ ¾ÆÁ÷ ÃæºÐÈ÷ ´õ Àß ÇÒ ¼ö ÀÖ´Ù°í
Produce blood-curdling noises to bring on the Ghost
À¯·ÉÀ» ºÒ·¯ ³¾ Á¤µµ·Î °£´ãÀ» ¼­´ÃÇÏ°Ô ÇÏ´Â ¼Ò¸®¸¦ ³¾ ¼öµµ ÀÖ´Ù°í
And I once played Growltiger        Àü¿¡ ±×·Î¿ï ŸÀ̰Ÿ¦ ¿¬±âÇÑ ÀûÀÌ ÀÖÁö
Could do it again ...          ´Ù½Ã ÇÒ ¼ö ÀÖ´Ù¸é...
Could do it again ...          ´Ù½Ã ÇÒ ¼ö ÀÖ´Ù¸é...
Could do it again ...          ´Ù½Ã ÇÒ ¼ö¸¸ ÀÖ´Ù¸é...

-----------------
Gus: The Theatre Cat
Andrew Lloyd Webber



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